#11. Look/See: Thomas Deininger at Van Vessem Gallery, Tiverton, RI

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Ok, so the guy might be a genius. Since I am not qualified to designate what “genius” entails, I’ll leave it up to you. But to see for myself, I took a drive the other day down to Tiverton, RI to go see Tom Deininger’s  raw, mighty and meaty work currently on view at the somewhat new (opened May 2013) Van Vessem Gallery, curated and directed by artist/owner Marika Van Vessem.

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Deininger is a painter, yes, seeing with some sort of x-ray vision that defies explanation, but what gets you is the fecundity and raw beauty of the work, along with humorous, timely and sometimes frightening imagery, not to mention painterly craft. The sheer quantity of work, as well as all the various processes in evidence, is astounding.

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Loads of small paintings pack the walls, randomly mounted edge to edge, along with large complex digital prints, sculpture, video installation, and his incredible trash art, composed of multitudinous tidbits and cast-offs; largely plastic, and things probably unmentionable. I don’t know. Impossible to tell. But look closely at the following images, a large 3-d self-portrait in trash.

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The large dead sparrow collage is stunning. Image

Detail of sparrow’s head.ImageWearable art hats and other things.

ImageDon’t even ask me to explain this video/found object/recycled stuff installation. Suffice to say it boggles the mind. You have to see it to get it, and even then you won’t get it. Brilliant. (Those eyes are actually composed of weird stuff, and there are little cameras trained on them, and the images are projected onto the monitors. Or something.)

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No way can I attempt a comprehensive review of this show. Therefore I invite you to check out  Tom’s website as well as this article: Natural Landscapes Recreated in Junk , which gives a good overview and provides wonderful images of some of his recycled-stuff art.

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 I found this Deininger quote from a 2009 interview:  “Perception is really the backbone of my work. I think that all art, even reality, is about perception. And so you’ve got one thing up close and it coalesces into something else all together from a distance. So, just the idea of what is reality, what is truth, has everything to do with perception… It reminds me of how slippery it can be, what is real and what is true.”

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Indeed. In  looking at the prolific and edgy work of Tom Deininger, one gets that slippery feeling of “wtf is real, anyway?” The show is up until Feb 3rd, with a closing party on Feb 2nd. Check out Van Vessem Gallery’s Facebook page for details.

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#10. Stopping Trying

Confession: I used to try to be a certain way, look a certain way. I wondered if I was beautiful enough, smart enough, cool enough. Wondered how others would see me and/or my art. If my art was “good” enough, different enough, unique enough, powerful enough, inventive enough..If it was really meaningful. And on & on. Although I’ve consistently fought this stupid and annoying monkey on my back, it’s a constant process to shake it off. (“What? You think that’s GOOD ART? who are you kidding? who do you think you are?” ) This stuff is all a product of fear. Fear of what? Being rejected? Being hurt? Failure? Being seen as stupid? Being found out that I’m not really who I pretend to be? (see: impostor syndrome)

I know I’m not alone. It seems so many young (or not-so-young) emerging creatives are SO concerned with being edgy, cool, hip, trying their damnedest to impress. What about just DOING? Making? Saying? I know the feeling so well. Wanting, desiring, hoping for acknowledgement and “success”, wanting to stand out in the crowd, be “different”, get “known”.  Don’t all artists?

Maybe not.

“If we are willing to open ourselves up and be laid bare, to respond to the moment and without hesitation, to connect deeply with our audiences’ eyeballs and the minds behind, we will be freed of the bullshit that holds us back. We will tap into the deep wellsprings of creativity that lie beneath our artifice and style and self-conscious crap and hesitation and self-deception and excuses and fears. We will make art of truth.” Danny Gregory

Artist/writer/thinker all-around amazing and inspiring human Danny Gregory recently wrote a truly brave post regarding fear.  I’ve been ruminating on this topic quite a bit recently, and interestingly enough, over the past few weeks, I’ve been coming across references to one of my favorite books on the subject, which if you never read (in art school, or out, or whatever) you’d best find it– “Art & Fear: Observations on the Perils (and Rewards) of Artmakingby David Bayles and Ted Orland. (1993, folks, and still as timely as ever.) Funny how when something is percolating, references keep showing up. Somehow, my old copy of Art&Fear has been missing. I was actually looking for it yesterday, in my studio, when a visitor happened to mention it in our conversation. No luck. Then this morning, reading some comments on Danny’s post “The Fears of a Clown“, there’s yet another reference to the book.. so bingo—-I look in my bookshelf (where I’ve looked a ton of times before), and find it immediately. (dust-covered.) Obviously I’m supposed to re-read it. So I will.

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 To quote Danny Gregory, again: “At their core, drawing, painting, clowning, all art, are about letting go, responding from your gut, trusting, working hard. Can you let go of all your preconceptions and finally, truly, truthfully see? Can you embrace and trust your audience rather than trying desperately to impress or con them?… Art is not entertainment. It is the way to what matters in our lives. To conquer our fears, we must face them, turn their ugly lies to beautiful truth, and share what we have made of them on the page or the stage.”

 Funny thing. As I’ve begun stopping the “trying”, I realize I no longer worry about what others think, so much. I’ve begun just “doing”. {I will not quote the famous footwear company here, but you know the deal}

“There is no try, there is only do.” Yoda

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