#34: The Aftermath – Paula

A thoughtful musing by a friend and fellow painter, Paula Martiesian http://www.paulamartiesian.com/ . As my current show (“Reaching for Beauty” at Coastal Living Gallery in Wickford, RI) is about to come down, that feeling of post-show depression is seeping in. How does an artist determine success, indeed? In reality–By just doing the work.

The Colorist - a Conversation about Painting

How does an artist determine success?   Sales? Critical acclaim?  Or is it something deeper.

Americans are taught to believe that success is measured in monetary terms.  If finance is the scale by which we measure, my exhibit was not a great success.  I sold a painting during the show and one before the exhibit opened.  A disappointment surely, but much better than not selling.

I received a fair amount of media coverage.  There was a nice mention in the Providence Journal with a photograph of one of my favorite paintings, Summer Shadows.  There was a wonderful quote in the Providence Business News – they called my paintings psychotropic – a word never before used to describe my work.  I also had coverage in the RISD XYZ alumni online news and lots of great feedback from friends and colleagues.

Weeds in Snow at the Bert Gallery Weeds in Snow at the Bert Gallery

And yet, the…

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#32: Vincent & <i>the Monkey</i>

#32: Vincent & the Monkey

A great blog post by Danny Gregory which fits perfectly with the depressing winter weather that has dampened my creative spirit recently… reminding me not to let the monkey get me down. Thank you, Danny.

Featured image

Danny Gregory

Long after his death, Vincent van Gogh has been diagnosed with everything from schizophrenia to syphilis. He may have been bipolar or epileptic, eaten too much paint or drunk too much absinthe. Did van Gogh hear the voice of the inner critic, that toxic monkey endlessly jabbering in his head? Certainly. He had plenty of problems and one or more of them led to the events of 27th of July, 1890, when he shot himself, in the chest, in a wheat field. He hung around for another day and a half, said, “The sadness will last forever” and died.

Van Gogh was 37 and he had been painting for just ten years. In that time he accomplished so much, producing hundreds of beautiful works of art that have influenced artists ever since. His life, short though it was, left ripples.

But what if he hadn’t cut his life so short?…

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#30: Happy Bday Courbet | The Premier Artist as Rebel

#30: Happy Bday Courbet | The Premier Artist as Rebel

A happy 195th birthday to Gustave Courbet, “one of the best, most audacious artists in his time, and a major player in the 19th century art revolution in France that moved the focus of art from institution to individual.” Reposting here, with thanks to Catherine Haley-Epstein for this great post. She notes: “Before Courbet, an artist was simply that – no fanfare, simply an artist/artisan. Remember it wasn’t until Impressionism that people started to marvel at the persona of the artists (i.e. Van Gogh, Cezanne, Gauguin)…. Courbet paved the way for new perceptions of art and artists given his [insistence] on mixing personal politics with painting.” Read on, and don’t miss the last image in the post….!!

Mindmarrow

Gustav Courbet,  Self-portrait (The Desperate Man), c. 1843–1845 (Private collection) Gustav Courbet, Self-portrait (The Desperate Man), c. 1843–1845 (Private collection)

“…in our so very civilized society it is necessary for me to live the life of a savage. I must be free even of governments. The people have my sympathies, I must address myself to them directly.”
– Gustave Courbet, 1850

On this June day 195 years ago in France, Jean Désiré Gustave Courbet was born. Courbet was one of the best, most audacious artists in his time, and a major player in the 19th century art revolution in France that moved the focus of art from institution to individual. He can be described as the first artist rebel – before there was an Oscar Wilde, a David Bowie, a Rage Against the Machine there was Courbet.

What made him a rebel was exactly this – he chose everyday subject matter and elevated it to the size of paintings usually…

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